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In a cleft stick

In a cleft stickMeaningIn a position where advance and retreat are both impossible; in a fix.OriginWhen we cleave something we split it into two pieces and it is then said to be 'cleft' or 'cloven'. These archaic-sounding words aren't commonly used alone these days and only persist in phrases like 'cleft-palate', 'cloven-hoofed' and 'in a cleft stick'. Cleft sticks are those which are split at one end, i.e. forked sticks. These were used as simple tools for carrying small items such as bundles of paper or candles. Jonathan Swift makes a reference to such in his 'Directions to Servants' in Works, circa 1745:"You may conveniently stick your candle in a bottle, or with a lump of butter against the wainscot, in a powder-horn, or in an old shoe, or in a cleft stick."Swift's use, although hardly serious, is a literal one and doesn't suggest the figurative use, which is first recorded in the correspondence in William Cowper's Works, 1782:"We are squeezed to death, between the two sides of that sort of alternative which is commonly called a cleft stick."'In a cleft stick' originated in the UK and its use elsewhere is limited. How then did it come to mean 'in a difficult situation, unable to move'? As is so often the case, there is more than one theory. Theory One has it that cleft sticks were used to capture snakes, pinning them to the ground so that they were unable to move. Theory Two suggests that cleft pegs were used to punish over-talkative women, pinching their tongues so that they were unable to speak. The first theory has the advantage of closely matching the meaning of the phrase - snakes certainly are sometimes caught and made immobile using split sticks. Also, the first citation of the use of a cleft stick to catch a snake predates references in other contexts. That comes in the Review of the Works of the Royal Society of London, 1751, in which Captain Silas Taylor described 'A Way to Kill Rattlesnakes':Procure a cleft Stick, and put into the Notch of it, a Quantity of the bruised Leaves of wild Pennyroyal; direct the End of the Stick towards the Serpent's Nose; as he avoids it, still pursue him with it; and in half an Hour's Time he will be killed by the mere Scent of the Herb. It is unlikely that the English antiquary Taylor ever came within a stick's length of a rattlesnake and his rather roundabout method of dispatching them isn't quite the evidence we are looking for. On to Theory Two. In 16th century England, any women who was considered to be a scold, i.e. a user of abusive or ribald language, especially against her husband, was in danger of being punished in a fearsome apparatus called a 'branks', also known as a 'scold's bridle' or gossip's bridle'. The device was an iron cage with a tongue that projected into the mouth of the victim and prevented speech. They A branks might look like a prop from a Ye Olde Englande B-feature, but they were widely used punishments throughout the Middle Ages. In 1890, when William Andrews published Old-time Punishments, Walton-on-Thames Parish Church had such a device on display. It was dated 1632 and inscribed with this little couplet:Chester presents Walton with a bridleTo curb women's tongues that talk too idle.The early English settlers to the USA didn't bring these punishment devices with them and other methods for chastising unruly women were used there. The Records of the Town of East-Hampton, 1639-1680, transcribed and published in 1883, record the use of the alternative 'cleft stick' method in the case of a woman described as "very ignorant, selfish and imperious":February 2, 1652. "It is ordered that Goody Edwards shal pay £3 or have her tongue in a cleft sticke for the Contempt of a warent." In addition to their superficial plausibility, what the two theories given above have in common is an American source. The phrase isn't American though and doesn't appear in print there until many years after Cowper's 1782 citation. It is more likely that 'in a cleft stick' never did refer to a specific item but to the general condition of immobility when stuck between a cleft stick's jaws. --------------------------------------------------------------------------------

Peter Wright ● 6614d0 Comments ● 6614d

As easy as pie

As easy as pieMeaningVery easy.OriginThere are many similes in English that have the form 'as X as Y'. These almost always highlight some property - X, and give an example of something that is well-known to display that property - Y. For example, 'as white as snow', 'as dead as a dodo' and, risking a group slander action from our noble friends, 'as drunk as a lord'. How though, are pies thought to be easy? They aren't especially easy to make; I know, I've tried it. The easiness comes with the eating. At least, that was the view in 19th century America, where this phrase was coined. There are various mid 19th century US citations that, whilst not using 'as easy as pie' verbatim, do point to 'pie' being used to denote pleasantry and ease. 'Pie' in this sense is archetypally American, as American as apple pie in fact. The usage first comes in the phrase 'as nice as pie', as found here in Which: Right or Left? in 1855:"For nearly a week afterwards, the domestics observed significantly to each other, that Miss Isabella was as 'nice as pie!'"Mark Twain frequently used just 'pie' to mean pleasant or accommodating: In The Adventures of Huckleberry Finn, 1884, "You're always as polite as pie to them.""So he took him to his own house, and dressed him up clean and nice,... and was just old pie to him, so to speak."Pie was also used at that time for something that was easy to accomplish. For example, The US magazine Sporting Life, May 1886:"As for stealing second and third, it's like eating pie."'Pie in the sky', also an American phrase from around the same time, refers to 'pie' as something pleasant that we will receive eventually. The earliest example of the actual phrase 'as easy as pie' that I can find comes from the Rhode Island newspaper The Newport Mercury, June 1887 - in a comic story about two down and outs in New York:"You see veuever I goes I takes away mit me a silverspoon or a knife or somethings, an' I gets two or three dollars for them. It's easy as pie. Vy don't you try it?" Pie seems to rank right up there with cake in the US lexicon of ease and pleasantry - 'a piece of cake', 'take the cake', 'cake-walk' are all American phrases from the 19th century.

Peter Wright ● 6622d2 Comments ● 6621d

Warts and all

Warts and allMeaningThe whole thing; not concealing the less attractive parts.OriginThis phrase is said to derive from Oliver Cromwell's instructions to the painter Sir Peter Lely, when commissioning a portrait.At the time of the alleged instruction, Cromwell was Lord Protector of England. Lely had been portrait artist to Charles I and, following the restoration of the monarchy in 1660, he was appointed as Charles II's Principal Painter in Ordinary. Lely's painting style was, as was usual at the time, intended to flatter the sitter. Royalty in particular expected portraits to show them in the best possible light, if not to be outright fanciful. Lely's painting of Charles II shows what was expected of a painting of a head of state in the 17th century. It emphasizes the shapely royal calves - a prized fashion feature at that time. Cromwell did have a preference for being portrayed as a gentleman of military bearing, but was well-known as being opposed to all forms of personal vanity. This 'puritan Roundhead' versus 'dashing Cavalier' shorthand is often used to denote the differences in style of the two opposing camps in the English Commonwealth and subsequent Restoration. It is entirely plausible that he would have issued a 'warts and all' instruction when being painted and it is unlikely that Lely would have modified his style and produced the 'warts and all' portrait of Cromwell unless someone told him to.We have Cromwell's death mask as a reference. From that it is clear that Lely's portrait is an accurate record of Cromwell's actual appearance. Despite the plausibility of the account, there doesn't appear to be any convincing evidence that Cromwell ever used the phrase 'warts and all'. The first record of a version of that phrase being attributed to him comes from Horace Walpole's Anecdotes of Painting in England, 1764. Walpole's authority for the attribution came from a reported conversation between John Sheffield, Duke of Buckingham, the first occupant of Buckingham House, now Buckingham Palace, and the house's architect, Captain William Winde. Winde claimed that:Oliver certainly sat to him, and while sitting, said to him - "Mr Lely, I desire you would use all your skill to paint my picture truly like me, and not flatter me at all; but remark all these roughnesses, pimples, warts and everything as you see me, otherwise I will never pay a farthing for it."That was published in 1764 - over a hundred years after Lely painted Cromwell. Walpole included no evidence to support the attribution, nor any explanation of why no one else had mentioned the phrase in the preceding hundred years - this despite Cromwell's life being the subject of minutely detailed historical research and over 160 full-length biographies. We can only assume he was indulging in a piece of literary speculation rather than historical documentation. The first known citation in print of the actual phrase 'warts and all' is from a 'Chinese whisper' retelling of Walpole's story - an address given by an Alpheus Cary, in Massachusetts, in 1824:When Cromwell sat for his portrait he said, "Paint me as I am, warts and all!" It may well be the case that Oliver Cromwell preferred portraits of him to be accurate, but it is most unlikely that he ever uttered the words 'warts and all'

Peter Wright ● 6629d11 Comments ● 6625d